12. 50 opening
Chair: Ondřej Pivoda
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13.00-13.30 |
Vejvoda, Zdeněk On the 80th birthday of Lubomír Tyllner |
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13.30-14.00 |
Spáčilová, Jana Myths and Facts about Operae Hanaticae |
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14.00-14.30 |
Gacek, Gabriela Potpourri as Politics: Functions and Transformations of Folk Melodies in the Ballet Z krakowiakiem do Wrocławia (1946) |
14.00 - 14.30 Coffee break
Chair: Zdeněk Vejvoda
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15.00-15.30 |
Huber, Gertrud Maria To what extent is the Alpine zither “folk music”? Reflections on the tradition of a plucked string instrument |
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15.30-16.00 |
Maňas, Vladimír TBA |
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16.00-16.30 |
Discussion |
17.00 Art-historical recordings of Janáček (From the House of the Dead, Department of Music)
19.00 Concert (Bartók, Ištvan, Besední dům)
Chair: Christopher L. Ballengee
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9.30 - 10:00 |
Kratochvíl,Matěj Socialist-cybernetic folklore. Folk song research in Czechoslovakia between ideology and technology |
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10.00 - 10.30 |
das Neves, Sergio Fado after UNESCO and the Reconfiguration of Folk Legitimacy |
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10.30-11.00 |
Goto, Misaki Alienation, Perceptual Transformation, and Cultural Reappropriation observed through Minyo |
11.00 - 11.30 Coffee break
Chair: Markéta Štefková
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11.30-12.00 |
Kalina, Petr TBA |
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12.00-12.30 |
Avagyan, Anzhelika Komitas Vardapet and the Birth of Armenian Ethnomusicology: A Methodological Transformation of Folk Music Perception |
12.30 - 14.30 Lunch break
Chair: Gabriela Gacek
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14.30 - 15:00 |
Lomen,KristinaPentatonicism in the Song Tradition of the Slovaks of Vojvodina: Ethnomusicological Research and Music-Theoretical Analysis |
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15.00 - 15.30 |
Štefková, Markéta From “Barbarism” to Vitalism: Humor in Béla Bartók’s Engagement with Slovak Folk Music |
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15.30 - 16.00 |
Vejvodová, Veronika Selling Songs in the Czech Folk Spirit: The Role of German Publisher Simrock in the Creation, Publication, and Promotion of Dvořák’s Song Cycle „In Folk Tone“ |
16.00 Coffee break
16.30-17.30 ROUNDTABLE, DISCUSSION
18.00 social evening (Department of Music)
Chair: Vladimír Maňas
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9.30 - 10:00 |
Turčanová, Barbora Slovácká Lidovka – The Story of Moravian Wind Music |
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10.00 - 10.30 |
Čevela, Jiří Presentation or Participation? Beseda u cimbálu as an Ambivalent Category |
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10.30-11.00 |
Varausová,AnnaRole of Music in Recognising Transformed Folk Dance Form on the Example of Moravské karičky |
11.00 Coffee break
Chair: Matěj Kratochvíl
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11.30-12.00 |
Prendergast,KaleeRoseFolk, Traditional and Folklorized Music in Galicia: Historical, Political, and Contemporary Perspectives |
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12.00-12.30 |
Ballengee, Christopher L. Folklorizing the Present: Tassa Drumming and the Reconfiguration of “Folk” in Trinidad & Tobago |
12:30 - 14.00 Lunch break
Předsedající Veronika Vejvodová
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14.00 - 14:30 |
Kučerová, Judita The Role of Folk Song in Czech Music Education (in the Context of Music Education in Primary Schools |
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14.30 - 15.00 |
Pivoda, Ondřej Folk Song as the "Starting Point for the Development of Compositional Creativity": Folk Song in Leoš Janáček’s Lectures at the Master Class of the Prague Conservatory |
15.00 Conference closing